When the personal becomes political.

Writings and drawings.

Mapping collaboration in Swiss art.

An attempt to make out the backgrounds leading to a turn towards documentation in art.

Reference monograph.

82 photos taken in bathrooms (Bettina Rheims, Araki, Jacques-Henri Lartigue, Bertrand Desprez, Giselle Freund, Pierre & Gilles...), with an essay by Jean-Claude Kaufmann, half-way between voyeurism and sociological commentary

Artist's book (photographies).

Catalogue of three exhibitions about interactivity in digital arts: theoretical texts, notes, ionterviews and documents.

DVD-book including all the exhibition films and discussions of 3 workshops at the 2004 International Biennale in Venice, on the theme of sustainable development and urban metamorphoses (a programme of about 2h).

Reference monograph.

Exhibition catalogue (with John Armleder, Maurizio Cattelan, Stéphane Dafflon, Philippe Decrauzat, Sylvie Fleury, Mike Kelley, Bertrand Lavier, Sherrie Levine, Allan McCollum, Sarah Morris, Olivier Mosset, Olaf Nicolai, Daniel Pflumm, Daan van Golden, Kelley Walker, Lawrence Weiner...).

This book gives life back to 72 aborted projects by publishing the preliminary works—plans, schemes, drawings, graphics, photographs, writings—kept by invited artists.

Marcel Duchamp “laid bare” by Marc Décimo who talks about the creative process in this essay on the father of conceptual art.

Portraits of the workers on the tramway line in Strasbourg, with texts by Philippe Lacoue-Labarthe and Jean-Luc Nancy.

Marcel Duchamp met Lydie Sarazin-Levassor at the end of March 1927. On 7 June, they were married. Francis Picabia acted as a witness and the ceremony was filmed by Man Ray. On 25 January 1928, they divorced. Lydie Sarazin-Levassor tells the story of their marriage, presents us with “her” Marcel, and relates her encounters with Jacques Doucet, Constantin Brancusi, Henri-Pierre Roché, Man Ray and Kiki de Montparnasse, Jean Cocteau, the Ballets Russes, the Duchamp family, Jean Crotti, Mary Rumsey, Katherine Dreier and Robert Desnos, and describes the atmosphere at the Villons' (in Puteaux, just outside Paris), the Picabias' (at Mougins, in the South of France) and the Sarazin-Levassors' (in Étretat, on the Normandy coast).

Conceived as a textbook with images rather than an exhibition catalogue, the book reflects on the diversity of fundamentalisms, a phenomenon that is not confined to particular cultures or modes of thought; its intention is to explore the concept in its many forms and multiple origins.

Artist's book: a series of bank notes brought together, lying on the floor.

Fully illustrated catalogue realized for the 10th edition of the Geneva Biennial, dedicated to artists' film and video.

A reflection initiated by Veit Stratmann on the sometimes conflictual relationship between the artist and public space.

Three exibitions by Éric Troncy (with Robert Barry, Angela Bulloch, Jake and Dinos Chapman, Sylvie Fleury, Gloria Friedmann, Liam Gillick, Felix Gonzalez-Torres, Gucci, Pierre Huyghe, On Kawara, Anselm Kiefer, Bertrand Lavier, Claude Lévêque, Sol LeWitt, Allan McCollum, Sarah Morris, Helmut Newton, Philippe Parreno, Ugo Rondinone, Thomas Ruff, Niele Toroni, Xavier Veilhan, Andy Warhol, Franz West...).

The moving image in art and culture.

The first monograph dedicated to the collaboration between two artists.

Copyleft special issue.

An illustrated novel about the spoliation of property by the Nazi regime, working as an extension of the film trilogy The Tulse Luper Suitcases.

An illustrated novel about the spoliation of property by the Nazi regime, working as an extension of the film trilogy The Tulse Luper Suitcases.

Artist's book: a series of collected photographs, derived from advertisements, referring to the father figure.

Special issue dedicated on the French festival I love Dijon (with Yan Pei-Ming, Christian Boltanski, Felix Gonzalez-Torres, Jens Haaning, Alain Séchas...).

An essay on Duchamp's readings, and a systematic chart of his personnal library.

Anthology of essays on Jack Goldstein's work (contributions by Hélène Winer, Laurie Anderson, Morgan Fisher, Douglas Crimp, David Salle, Thomas Lawson, Carter Ratcliff, Michael Newman, Jack Goldstein, John Hutton, Craig Owens, Therese Lichtenstein, Jean Fisher, Chris Dercon, Hal Foster, Jack Bankowsky, Rosetta Brooks, Philip Pocock, Bruce Greenville, Lionel Bovier, Fareed Armaly).

Artist's book.

First monograph (available in English edition).

A collaboration between these two artists has generated a world of bouncing, textured material. Surrounding a focal piece of 20 minutes are six shorter works which retain the listener's attention and transport them into a unsuspected otherworld.

A selection of works by French artists: Christian Boltanski, Daniel Buren, Dominique Gonzales-Foester, Raymond Hains, Pierre Huyghe, Bertrand Lavier, Claude Lévêque, Annette Messager, Yan Pei-Ming, Philippe Parreno, Alain Séchas, Xavier Veilhan...

Born in 1917, a friend of Dubuffet, Michaux and Jean Paulhan, Bettencourt was a writer, before being a publisher. This book, gathering thoughts and aphorisms through the definitions of a choice of words, reveals the artist (limited edition with an original serigraphy signed by the artist.

An anthology of texts around issues such as spatial politics of representation and identity, the public and the private, the space of art and culture, the memory of places and the inscription of remembrance, and the relations between utopias, heterotopias and the real.

French edition (available in English).

Born in 1917, a friend of Dubuffet, Michaux and Jean Paulhan, Bettencourt was a writer, before being a publisher. This book, gathering thoughts and aphorisms through the definitions of a choice of words, reveals the artist.

First monograph on Korean artist, with installations views and two critical essays.

Video artists and photographs explore the notion of secret, evoking intimate relations, seducement and complicity between the artist and his work on one hand, the work and the audience on the other.

Divided in eight sequences corresponding to the stages of Darwin's Theory of Evolution, A Zed and Two Noughts (Z.O.O) stars two zoologists and conjoined brothers whose lives are dramatically altered when their wives are killed in a car crash. A tragic story in which Greenaway discusses the irreversibility of death as opposed to the reversibility of forms.

An American architect goes to Rome to oversee an exhibition on Étienne-Louis Boullée, a French architect from the Eighteenth Century. Accompanied by his young pregnant wife, he soon complains of abdominal pain... This film is a tribute to the figure of the circle, either in Boullée's spherical constructions or through the image of the belly bearing death (the architect's cancer) and life (his pregnant wife).

A poetic odyssey on solo piano.

The only record of a mythical assembly of musicians, actors, performers, celebrities and underground personalities united around the zany "B-series" poetry.

Catalogue documenting the series of works by Soun-Gui Kim presented for her exhibition "Stock Exchange" at the Art Sonje Center, Seoul, in 2000.

Eight and a half women is a laconic black comedy, an examination of the age-old phenomenon of male sexual fantasy, its roots and its consequences, as well as a homage to Fellini (film script).

Eight and a half women is a laconic black comedy, an examination of the age-old phenomenon of male sexual fantasy, its roots and its consequences, as well as a homage to Fellini (film script).

A first in-depth study of filmmaker Tsai Ming-liang's universe, both sensual and solitary.

A first in-depth study of filmmaker Tsai Ming-liang's universe, both sensual and solitary.